The 92nd Academy Awards: Who Will Win & Who Got Snubbed

Updated: Feb 16, 2020

*Update (Feb. 10, 2020): We were right on the money with the four acting categories covered, but surprise wins for "Parasite" and director Bong Joon-ho left us with four out of six for the big marquee categories. Some of our smaller predictions were proven false, too. Check out each category for the results.

Hollywood’s Biggest Night is on Sunday, and it’s tradition around here to turn to our resident film nerd for Oscar Season’s biggest predictions and snubs. This year, for the sake of brevity, we’re only going to focus on a few marquee categories. Then, we’ll have a section to break down some of the overlooked films of 2019 that maybe SHOULD have been part of the 92nd Academy Awards.

Share the love for movies and for Curbside Press by sharing this article on social media with the handy icons found below, and enjoy!


Most nominations - Joker (11)

Top Contenders

1917 - 10

Once Upon A Time… In Hollywood - 10

The Irishman - 10

Parasite - 6

Little Women - 6


Best Picture

Once Upon A Time… In Hollywood

The Irishman

Parasite - Winner


Marriage Story

Jojo Rabbit


Little Women

Ford vs Ferrari

What Will Win: 1917 (Incorrect)

Sam Mendes’ WWI epic is the frontrunner for the big prize on Sunday. The film is edited to look like one long take (much like 2015 Best Picture winner Birdman) and the effort it took the cast and crew to pull this off is getting recognition all over the awards circuit.

People can think the tactic is a gimmick to win prizes all they want, but to deny it as an impressive piece of moviemaking is unfair and uninspired. The choice isn’t just used to heighten the adrenaline ride of the film, either. Mendes and cinematographer Roger Deakins (who will win the prize for his work, too) allow the camera to push in on little details and linger on character moments that really connect us to the emotion of the story. Not to mention, the sheer number of details that are included in the background of shots is impressive, and I don’t know that I’ve ever seen a corpse caked into a mud trench before.

Is 1917 just another in a long series of war movies with nothing new to say? One could argue that. But the Best Picture category is about more than themes and newness, it’s about highlighting the best effort in filmmaking of 2019. This film is a worthy recipient.

What Should Win: Parasite (Did Win!)

This film’s director Bong Joon-ho already put South Korean cinema on the map for worldwide audiences with monster films like The Host (2006) and activist thrillers like Okja (2017). He somehow outdid himself with Parasite, which blends all of the genres he’s thrived on for decades into one masterfully crafted feature.

Parasite has not only garnered global critical acclaim, it’s been a box office smash, playing at multiplexes all over the world. It’s the first ever South Korean film to be nominated in this category and (shockingly) in Best International Feature, which it will certainly win in. But Parasite deserves a big category win, too.

It features a talented cast that’s balanced between male and female actors of all ages. It showcases gorgeous production design and cinematography that make every moment dazzle. It’s not just well-shot and entertaining -- with comedy, heist and thriller elements that all somehow feel natural -- it’s also got some important things to say about capitalism, classism, and climate change.

For a film that’s got the full package of impressive technical skill, worthwhile storytelling, AND broader cultural significance, I like Parasite for Oscar’s top prize.

Honorable Mention: Little Women (Did Not Win Best Adapted Screenplay)

For those thinking Greta Gerwig got overlooked this year, don’t worry, much like the characters in her 2019 adaptation of the classic Louisa May Alcott novel, her effort doesn’t need any approval to be full of merit.

She will most likely get a deserved Adapted Screenplay statue (that award actually went to Taika Waititi for Jojo Rabbit) for finding a way to tell this tired, old story a new way. She uses multiple timelines, a frame story structure, and updated themes of feminism and classism to create a movie that offers something new with these characters that six other movie adaptations (and countless television adaptations) couldn’t give.

It’s splendidly acted by a large cast -- the pest performance doesn’t even come from its biggest star, Meryl Streep -- and Gerwig’s direction allows all the work that went into the production elements speak for itself.

I don’t think her work rises to the level of Best Director, but I am right there with the people who think that more women (even Gerwig!) should be contenders in that category. But this film got six nominations on the night, across writing, acting AND production categories, so it hardly rises to the level of “snubbed.”


Best Director

Martin Scorsese - “The Irishman”

Quentin Tarantino - “Once Upon A Time In Hollywood”

Bong Joon-ho - “Parasite” - Winner

Sam Mendes - “1917”

Todd Phillips - “Joker”

Who Will Win: Sam Mendes (Incorrect)

The long sequences of 1917 mean that the whole production had to be one, smooth and well-oiled machine, with Mendes coordinating hundreds of moving parts. The Academy simply can’t ignore the vision and talent that goes into that.

Some outlets predict Quentin Tarantino pulling off an upset with his work in Once Upon A Time… In Hollywood, but I think a lot would have to go Tarantino’s way for him to get this big award and not just the Best Original Screenplay statue he’s sure to walk home with (Parasite ended up winning that award, too).

Who Should Win: Mendes

Honorable Mention: Bong Joon-ho (Did Win!)

The way I broke my vote down here on these two top categories was that Parasite should get the honor of Best Picture -- for not only showcasing brilliant filmmaking in all aspects, but for delivering a story that has something worthwhile to say in the year 2019.

Bong Joon-ho gets a much-deserved direction nod for creating a film that showcases his unique vision and style, making a foreign-language drama shine so brightly on the global stage. I still think Sam Mendes’ work in the highly-technical 1917 is the most impressive thing on the year for these contenders, though.


Best Actor - Lead Role

Joaquin Phoenix - “Joker” - Winner

Adam Driver - “Marriage Story”

Leonardo DiCaprio - “Once Upon A Time In Hollywood”

Antonio Banderas - “Pain and Glory”

Jonathan Pryce - “The Two Popes”

Who Will Win: Joaquin Phoenix (Correct)

No matter how you felt about this comic book origin story, Phoenix’s performance was the best part of it. In a film that garnered an Oscars-leading 11 nominations (just one more than the three-way tie for second-place films with 10 nominations) Phoenix is probably the only one involved in the project who will walk away with gold on Sunday (I was forgetting about Hildur Gudnadottir's winning score here -- a deserved win). This is as it should be.

While I rather enjoyed the darkness and boldness of Joker, making a stand against the flashy action films that pervade the genre, I think this film was being pulled in too many directions.

It had to be an origin story for a very iconic villain (pressure from the nerds), it had to thread the needle of showing mental illness without glorifying violence (pressure from society), and it had to provide something new to a performance that has been done before (pressure from Jack Nicholson and Heath Ledger’s previous acclaimed performances).